The following are just some musings
on "success" as an artist. We tend to define success in this world by
money. How much money do you make from your profession? Based on that
perception (or conception) many visual artists would feel they were not a
success. This is not just a modern day phenomenon. I was surprised recently on
reading that many of the well-known French impressionists had financial difficulty
throughout their lives. Or, if they were financially secure, it was not as a
result of their art.
Edouard Manet — the oldest of the
original group —came from wealth. His mother was related to the Emperor and
Manet maintained his contacts in the leading circles.
Degas came from the same social
background as Manet and was not poor.
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| Morisot — Refuge in Normandy |
Berthe Morisot married Manet’s
younger brother and thus had the financial security to pursue her painting
career. After her husband died, she continued to paint but was never
commercially successful in her lifetime. However, she did outsell several of
her fellow artists, including Monet, Renoir, and Sisley. She painted one of the
first “impressionist” paintings, called “Refuge in Normandy.”
Alfred Sisley came from a prosperous
house and was able to follow an artistic career without any worries. In fact,
he seems to have helped some of his poorer artist friends when they were in
critical situations.
Because Impressionism wasn’t
considered an important style at the time (mid to late 1800s), many of the
so-called Impressionists who didn’t
come from a wealthy background suffered severe financial hardship.
Camille Pissarro made almost no
money, yet he had a family to support. He never found a rich patron.
Monet had financial difficulties as
a young artist to such an extent that his wife died of an abortion attempt when
pregnant with their fifth child. (She tried to abort because she felt that they
couldn't support another child.) Later, in life, he had patrons and seems to
have done well.
Paul Cezanne came from a wealthy
family but had serious financial difficulties for years because he was afraid
of admitting his love of art and somewhat illegal living conditions to his
father. (He later inherited, but by then was well-known as a painter.
Auguste Renoir came from a very poor
family and was in difficult financial straits until about the age of 36.
I have embedded Morisot's
"Refuge in Normandy" in the above blog just to show you another
concept of success. We have a badly mixed up world. People with professions (or
scams) that don’t really contribute to the survival of mankind often pull down
extraordinary amounts of money. While artists of all kinds not infrequently
either take a “day job” to supply the necessities of life or give up their passion
for art entirely. And yet, it is art that contributes beauty and meaning to
life.
Note. Material for this post was
taken from several websites which I reference here as (1) (2) (3) (4) (5)
